“come defend the snithiantimbras
come and defend the gaté
come defend the snithiantimbras
come and defend the gate”
come prevent evil from scoring by mentaling up a j’wall
it isn’t made of analysis bricks it’s just made out of balls
“what kind of balls?”
-balls of g’snurpital attitude orbiting lightning beams
fluffy erratic ecstatic mechanical building of dreams
“come defend the snithiantimbras
come and defend the gaté
come defend the snithiantimbras
come and defend the gate”
what’s the best way to defend? it’s an offense that never relents
it’s like a hydro benydrical blastegy watery fence
“how do you make the fence?”
-first set in motion an ocean of spiraling unicorn cats
then all the evil that’s trying to score’ll get waylaid by that
“come defend the snithiantimbras
come and defend the gaté
come defend the snithiantimbras
come and defend the gate”
summon a serpent of seven who summons a sloth
feed him a prumpegy turnip-abundancy broth
power a nippery nebula made out of thoughts
watch it be stronger than anything you could’ve bought
“come defend the snithiantimbras
come and defend the gaté
come defend the snithiantimbras
come and defend the gate”
go make a fence out of glittery guitary strings
then when it’s blocking a shot it melodically rings
also the glitter bevibrates a flickery dance:
that’s using evil to power your purple electrical pegasus pants
you defended the snithiantimbras
you defended the gaté
you defended the snithiantimbras
you defended the gate
you befriended the snithiantimbras
you befriended the gaté
now you’re friends with the snithiantimbras
now you’re friends with the gate
On “Evolution,” múm’s Gyða Valtýsdóttir writes tiny, starlit songs, her delicate vocals wreathed by hushed instrumentation. Bandcamp New & Notable Oct 14, 2018
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